disponibile
TIM è un sistema d'amplificazione analogico con 600W di potenza (350 +125+125) ed è costituito da un compatto subwoofer attivo compatto e da due satelliti passivi. Il precedente Pocket one è stato reingegnerizzato per uso professionale; sono stati apportati un nuovo design e diverse nuove funzioni di controllo per una migliore adattabilità alle specifiche applicazioni e gusti musicali, quali ad esempio lo switch mono/stereo.
Il subwoofer é stato costruito con tecnologia BJT, incorporando un alimentatore lineare per un'eccellente risposta dei bassi ed un efficiente effetto stereo. I livelli del subwoofer possono essere regolati a partire da -7dB fino a +2dB.
Ogni satellite include un crossover passivo caratterizzato da una bobina custom.
Facile sia da trasportare ed utilizzare in ambito live, TIM è l'impianto ideale per situazioni acustiche, jazz o DJ set. Questo sistema si caratterizza come impianto PA estremamente efficiente per amplificazione audio in sale di piccola-media dimensione, quali piano bar, palestre, conference room e sale da ballo.
Custodie imbottite sono disponibili come accessori, per la protezione dei prodotti e per un trasporto comodo e sicuro
TIM è disponibile in robusta finitura antracite antigraffio e griglia frontale, principalmente indicata per touring ed esibizione live, oppure in elegante e più delicata finitura color legno naturale, perfetta per utilizzo in studio e per inserirsi al meglio in una molteplicità di interni.
Cavi Speakon 2poli da 6 metri sono inclusi
Frequency response | 150 Hz- 20 kHz |
Sensitivity @ 1W/1m | 92.0 dBSPL |
SPL max (calc.) | 113 dBSPL |
Crossover | Passive - 18dB/octave |
Crossover frequency | 2.3 kHz |
LF Transducer | 6" Woofer |
Ferrite magnet circuit | |
Voice coil diameter 38 mm | |
HF Transducer | Compression Driver 1" Throat |
Voice coil diameter 25 mm | |
90°x90° (H x V) horn | |
Power Handling (Continuous/Peak) | 125W / 250W |
Connection | Speakon Input |
Nominal Impedance (Passive) | 8 Ω |
Controls | No control |
Box | Birch laminated |
Stand mounting | Top hat composed |
of welded steel tube ø 36 mm, h=77 mm | |
Weight | kg 6 |
Dimensions (LxDxH) | 210 x 240 x 340 mm |
Frequency response | 50 Hz- 150 Hz |
Sensitivity @ 1W/1m | 91.5 dBSPL |
SPL max (calc.) | 117 dBSPL |
Crossover | Electronic - 24dB/octave |
LF Transducer | 10" Woofer |
Ferrite magnet circuit | |
Voice coil diameter 50 mm. | |
Power Handling (Continuous/Peak) | 350W / 500W |
Connection | XLR Input (2) |
XLR Output (2) | |
Speakon Output (2) | |
Impedance | 10 kΩ @ 1 kHz for XLR line |
Input sensitivity | XLR 0 dBu (0.775 Vrms) |
in balance mode | |
Controls | Volume, Ground Lift Switch, mono/stereo |
Box | 18 mm Birch laminated |
bass reflex | |
Stand Mounting | Top hat composed |
of welded steel tube ø 36 mm, h=77 mm | |
Weight | Kg 18 |
Dimensions (LxDxH) | 320 x 510 x 490 mm |
#festival_chitarra_arpa_22.09.2017
International Guitar and Harp Festival provides a platform for Schertler products
Schertler Ambassador Dario Fornara recently appeared at the “International Guitar and Harp Festival” at Villa Spinola in Bussolengo, performing with and presenting the ARTHUR modular mixer, the TIM compact PA system and the Magnetico M-AG6 pickup for acoustic guitar.
The festival, which has successfully completed its eighth season, is organized by artistic director Monica Bulgarelli, a respected teacher, performer and promotor of an event which, today, is considered one of the most prestigious and important on the Italian musical scene. The main stage played host to performances by the Celtic Quintet, guitarists Alberto Caltanella, Andrea Valeri, Dario Fornara and Maneli Jamal. Other highlights included a trade show featuring Italian luthiers, a concert by the 'I Chitarrissimi' music school, seminars given by invited artists and a demo by Fornara in which he presented the ARTHUR mixer, TIM PA system and the Magnetico M-AG6.
Fornara, a former electric guitar player who is now a leading figure on the Italian acoustic scene, says: “The combination of TIM and the ARTHUR mixer - in this case configured for my needs with 2 Yellow Instrument inputs, 1 Microphone input and 1 L / R Output - once again attracted the interest of show participants (in particular technicians and sound engineers) who were able to personally evaluate the great potential, dynamics and transparency obtainable in such a small format. This system, along with the M-AG6 pickup installed on my Chatelier guitar, was also used by me during the evening concert. It delivered a warm sound, which was also powerful and enveloping. At the end of the concert, to my great satisfaction, many of the audience members expressed appreciation for my sound - not least the guitarist colleagues who were present. It is a great gift for those who, like me, are passionately living these aspects of their business.
And, just for the guitarist friends who often ask for more info on using these products and for some more detail on my sound: Mounted on the guitar is a Magnetico M-AG6 with connected S-MIC-M condenser mic. In the “mix” I use about 15% of the S-MIC-M microphone component, basically adjusting the volume of the S-MIC until the ‘percussion’ is detected on the guitar body - always the minimum needed, because I like to push maximum volume without having problems with feedback. I never use the hole cover because it dramatically changes the guitar sound, for the worse. The guitar signal goes through an octaver pedal that only duplicates low frequencies. (It’s here that Schertler gear, and in particular TIM, differs from its competitors which often cannot handle such sounds!) The sound then passes through a delay and a digital reverb to end up directly in the Arthur mixer's Yellow module, with GAIN at 15 o'clock. The 'Warm' filter is always active, while equalizing usually includes HI at 9 o'clock, LOW at 10 o'clock and a cut in the MID to -13dB with Parametric at 13 o'clock. I hope this information is clear and will be helpful in some way.”
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