A PROPOS DE NOUS

Fondé au début des années 1980 par le bassiste Stephan Schertler, la marque Schertler a acquis une réputation mondiale pour atteindre les plus hauts niveaux de précision dans la reproduction du son d'instruments acoustiques. L'approche innovante de l'entreprise pour exploiter les vibrations acoustiques a donné lieu à un portefeuille en constante évolution des systèmes d'amplification acoustique, préamplificateurs professionnels et microphones à contact comme la série originale DYN des années 1990, plus récemment re-conçu pour former le la série phare de DYN-P48, qui est devenu un l'ultime solution pour les ingénieurs d'enregistrement professionnel. Avec la création du group Schertler - Schertler SA, SR Technology and Velvet Strings - en 2015, la recherche et le développement sont de plus en plus axés sur les produits audio professionnels (parallèlement à un portefeuille actif des produits d'instruments de musique). Les dernières sorties incluent le préamplificateur YELLOW MIC 500, le système sono compact TOM et le nouveau mixer modulaire ARTHUR. Le groupe Basée à Mendrisio, en Suisse, possède actuellement des installations de Recherche et Développement en Suisse et en Italie.

The latest note from THE DIARY

Analog Music Night

Analog Music Night proves a sound success

Mendrisio’s Piazzale alla Valle was filled to capacity on 27th July as music fans turned out in force for the first Analog Music Night. Jointly organised by Schertler and the City of Mendrisio, the aim of the event was to focus audience attention entirely on the musical content and sound quality. To help achieve this, no staging structures, special effects or similar visual distractions were used. Instead, a minimalistic performance space was set up using persian carpets kindly loaned by KAROUBIAN Tappeti. Around this, the square’s bars and restaurants offered special pre-concert dining and table seating. At the other end of the square, two grandstands accommodated those who simply came to listen.

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As its name suggests, the entire event was analog. A TOM PA system and TEDDY stage monitor, together with Schertler amps, pickups and an Arthur X mixer formed an unobtrusive, high-quality sound system. In keeping with the theme, a live recording of the event was made using an additional Arthur 48 mixer and two Stellavox TD-9 analog recorders. These legendary, reel to reel, Swiss-built tape machines are now extremely rare. Generally regarded as one of the first truly “modular” studio recorders, the TD-9s proved perfect partners for the Arthur mixer on this occasion.

The evening was a great success, featuring excellent performances from a number of international artists. Even the rain didn’t deter people and the square was alive until the very end.

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Artistic Director Stephan Schertler comments: “In short, this event underlines the fact that there is little need for oversized structures and audio systems, even for festivals. It’s not so much a case of ‘big is better’, but rather ‘faster is better’ …. in other words, the transient counts more than the SPL!