Since its foundation in the early 1980s, Schertler SA has launched a programme of passionate research that aims to achieve the highest levels of accuracy in the reproduction of acoustic stringed instrument sound. Led by bassist and founder Stephan Schertler, the research and development company initially began to focus on producing high quality tools and innovative technology to replace the technology and imperfections of piezo pickups. Over the years, Schertler’s original approach to harnessing acoustic vibrations has resulted in a number of fundamental innovations, some of which have gained international patents, such as the STAT Series of contact microphones.
In 2003, Schertler launched an original series of compact amplifiers – the Classic Series. Since then, the 3-channel UNICO and 2-channel DAVID have provided musicians with high quality portable solutions for stringed instrument amplification. Suited to virtually any live performance situation, these amplifiers have received unanimous feedback from users around the world, helping to build the reputation that Schertler has gained in the field of acoustic amplification.
The latest note from THE DIARY…
Analog Music Night proves a sound success
Mendrisio’s Piazzale alla Valle was filled to capacity on 27th July as music fans turned out in force for the first Analog Music Night. Jointly organised by Schertler and the City of Mendrisio, the aim of the event was to focus audience attention entirely on the musical content and sound quality. To help achieve this, no staging structures, special effects or similar visual distractions were used. Instead, a minimalistic performance space was set up using persian carpets kindly loaned by KAROUBIAN Tappeti. Around this, the square’s bars and restaurants offered special pre-concert dining and table seating. At the other end of the square, two grandstands accommodated those who simply came to listen.
As its name suggests, the entire event was analog. A TOM PA system and TEDDY stage monitor, together with Schertler amps, pickups and an Arthur X mixer formed an unobtrusive, high-quality sound system. In keeping with the theme, a live recording of the event was made using an additional Arthur 48 mixer and two Stellavox TD-9 analog recorders. These legendary, reel to reel, Swiss-built tape machines are now extremely rare. Generally regarded as one of the first truly “modular” studio recorders, the TD-9s proved perfect partners for the Arthur mixer on this occasion.
The evening was a great success, featuring excellent performances from a number of international artists. Even the rain didn’t deter people and the square was alive until the very end.
Artistic Director Stephan Schertler comments: “In short, this event underlines the fact that there is little need for oversized structures and audio systems, even for festivals. It’s not so much a case of ‘big is better’, but rather ‘faster is better’ …. in other words, the transient counts more than the SPL!”